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Debbie Rasiel

Buffalo Making room for Uvalde, 2022
Four Years Ago, 2022
No More Guns, 2022

Words and pictures wash away as the dead become memories. After each shooting, the flames that ignite marches dim, and the world moves on— with automatic rifles still legal and the next mass shooting only moments away.

- Debbie Rasiel on her recent series Overtime

Buffalo Making room for Uvalde, 2022
Digital Composite
16”x24”
NFS

Base photo, Pier 94 (Manhattan) by Debbie Rasiel

Photo of Charon Reed and her son Koda during the funeral for her grandmother, Celestine Chaney
New York Times, May 29, 2022
Photographer, Gabriela Bhaskar

Photo of Automatic Rifle
New York Times, May 29, 2022
Photographer, Annie Mulligan

Text: “The Unbearable Monotony of Grief,” by Jay Caspian Kang
New York Times, May 29, 2022
 
Four Years Ago, 2022
Digital Composite
16”x24”
NFS

Text: “At N.R.A. Gathering An American Divide Only Seems to Widen,” by Dan Barry
New York Times, May 29, 2022

Base Photo, Pier 94 (Manhattan) by Debbie Rasiel
Protest images “March For Our Lives” 2018 by Debbie Rasiel
 
No More Guns, 2022
Digital Composite
16”x24”
NFS